Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Bernardo Bellotto
Die Dominikanerkirche in Wien

ID: 92343

Bernardo Bellotto Die Dominikanerkirche in Wien
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Bernardo Bellotto Die Dominikanerkirche in Wien


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Bernardo Bellotto

Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.   Related Paintings of Bernardo Bellotto :. | Capriccio, Palasttreppe | Ansicht von Dresden, Die Ruine der Kreuzkirche, von Osten aus gesehen | View of Cracow Suburb leading to the Castle Square | Das kaiserliche Lustschlob Schlobhof, Gartenseite | Signoria Square in Florence. |
Related Artists:
Volterrano
Italian Baroque Era Painter, 1611-ca.1690
Abbey, Edwin Austin
American Golden Age Illustrator and Muralist, 1852-1911 American painter and illustrator, active in England. He began his artistic training in 1866, studying drawing with the Philadelphia portrait and landscape painter Isaac L. Williams (1817-95). In 1868 he attended evening classes in drawing at the Pennsylvania Academy of the Fine Arts under Christian Schussele (1824-79). In the same year Abbey began to work as an illustrator for the Philadelphia publishers Van Ingen & Snyder. In 1870 Harper's Weekly published the Puritans' First Thanksgiving, and in 1871 Abbey moved to New York to join the staff of Harper & Brothers, thus inaugurating his most important professional relationship. Throughout the 1870s Abbey's reputation grew, both for his detailed exhibition watercolours and for his elegant line drawings, which, translated to wood-engravings in numerous periodicals, illustrated both factual and fictional events of the past and present. The influences on him were mainly English, in particular the works of the Pre-Raphaelite Brotherhood and illustrations in the English press, which he studied avidly. The success of his illustrations to some of Robert Herrick's poems, such as Corinna's Going A-Maying in Harper's New Monthly Magazine (May 1874), prompted Harper & Brothers in 1878 to send Abbey to England to do a complete series of drawings for an illustrated gift-book, Selections from the Poetry of Robert Herrick (New York, 1882).
GELDER, Aert de
Dutch Baroque Era Painter, 1645-1727






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